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Want to Know More about African Art in Paris?

Most visitors flock to Parisian museums to see European, especially French, art. This is hardly news. But arguably, there would be no Picasso at the Musée Picasso, no Miró or Klee at Centre Pompidou if it weren't for the extraordinary richness of African and Oceanic art in Parisian collections.

Picasso painted "Les Demoiselles d'Avignon" after the shock of what he saw at the former Trocadero ethnographic museum. Most historians recognize that non-western—so-called "primitive" art—was the single most decisive influence on Picasso and countless other 20th-century artists.

Artists and collectors in France were some of the first to appreciate non-western sculpture from an aesthetic, rather than anthropological point of view. For that reason—and because of France's colonial interests in that part of the world—Paris still boasts some of the most comprehensive collections in the world.

But while we all wait for the 2006 opening of the new Quai Branly Jean Nouvel-designed museum that will house the largest of those national collections, we have the smaller quiet oasis that is the Musée Dapper in the 16th. It is the museum face of a private scholarly foundation devoted to the promotion of knowledge of Africa and its disaporas. Its small thematic exhibitions make it an ideal place to begin your exploration of African art, because they are always an opportunity to learn something focused and concrete.

To read more about it the Dapper's current exhibition, click here.

Musée Dapper
35, rue Paul Valéry, 16th.
Tel: (1) 45 00 01 50. Métro: Victor-Hugo, Kléber, Boissiére. Hours: 11am-7pm Wed through Sunday only.Admission: 5 E, reduced 2.5 E. Free under 16.

Want to Know More about African Art in Paris?-Main

One of the Best Things We Did in Paris

"We took the Louvre family tour with Inge and it was one of the best things we did in Paris. Our twins absolutely loved it. For the remainder of our vacation they kept asking if they could do 'the treasure hunt' again. I didn't know how much our son and daughter had retained from their visit to the Louvre until, upon our return to the States, I saw my daughter show her grandmother a little box with the Mona Lisa on it. She told her grandmother to look at it from one side and see how the eyes were looking at her and then to look at it from the other side and notice the same thing. 'The artist did that,' she told her proudly. Then she added, 'Mona Lisa has a secret but nobody knows it'. I'm glad your tour wasn't a secret. I'll be passing it on to all our friends headed to Paris."

Jill, Jamieson, Madigan & Jamieson

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